![]() Use the powerful logging options in Adobe OnLocation™ when working with tapeless cameras. Tapeless camera support in Adobe OnLocation CS5 new Open workflows with Final Cut Pro and Avid software enhancedīring the creative benefits of Adobe tools to your entire project by importing and exporting projects from these other NLEs.Ĭollaborate on scripts, automatically extract shot lists, and generate metadata-rich assets that speed up editing. Open projects faster, scrub through HD and higher-resolution footage more fluidly, and play back complex long-format and effects-heavy projects more reliably.Įxpanded native tapeless workflows enhancedĮdit video natively in the latest tapeless formats, including RED, AVCCAM, XDCAM HD 50, DPX, P2, XDCAM, and DSLR cameras, without transcoding or rewrapping. Work dramatically faster thanks to the revolutionary native 64-bit, GPU-accelerated Mercury Playback Engine. ![]() Industry-leading performance with the new Mercury Playback Engine new ![]() CS Live services are complimentary for a limited time. Import scripts from Adobe Story to create shot lists, align scripts to footage and produce rough cuts, and then optimize video to create engaging online experiences. Move from script to screen faster with Adobe Story, a new Adobe CS Live online service* that integrates with Adobe Premiere Pro. Import and export Apple Final Cut Pro and Avid projects in Adobe Premiere Pro so you can explore new possibilities with After Effects®, Photoshop®, and other Adobe software, bringing timesaving integration between Adobe tools to projects created in these other NLEs. Capture and log footage from virtually any camera - including tapeless cameras - with Adobe OnLocation™ CS5. Save time with industry-leading native tapeless workflows, which eliminate transcoding and rewrapping, while preserving the pristine quality of your footage. Work natively with the video formats you want and accelerate production from scriptwriting to editing, encoding, and final delivery. The only 2 DSLRs that I'm aware of with "clean" output are the Panasonic Lumix GH2, and the new Nikon D4.Īs mentioned, even if a DSLR camera will put out a good image, you will need a "capture device" with HDMI input such as BMD Intensity or Matrox MXO2 Mini connected to Mac or PC.Adobe Premiere Pro CS5 v5.0 圆4 Multilanguage-EMBRACE | 1.30 GBĪdobe® Premiere® Pro CS5 software offers breakthrough performance for video production, enabling you to work dramatically faster thanks to the revolutionary native 64-bit, GPU-accelerated Adobe Mercury Playback Engine. Do you get a perfect, full-screen image without any overlays or any cropping, and at full quality? My understanding is that they all "dumb-down" the output signal in some regard while recording, unlike video cameras that will all put out a perfect HD image. We're a reseller of the Atomos Ninja portable recorders and this has been a huge issue - DSLR shooters want to use Ninja for the exact purpose you mention, for long, uninterrupted recordings, but the HDMI outputs from those cameras are just not suitable.ĭo this - connect the HDMI out from your camera to an HD display and start recording with the camera. DSLR cameras are notorius for not allowing you to fully turn off info overlays on the HDMI output, or even if you can on your particular camera, the output signal is somewhat cropped or otherwise not a proper HD signal. ![]() Please note that I don't believe your camera will put out a proper full-resolution, full-quality HD signal via HDMI while in record mode.
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